From the Edgware Road to the southeast edge of England, via the snow belt of upstate New York, my sculptural journey has taken the scenic route. On the way I have been a plasterer, a teacher, a landscape architect, and now, again, a studio based sculptor.
Portrait sculpture is my core practice. It feeds into my parallel preoccupation with the depiction of the figure in space: in two dimensions through observational and imaginative drawing, in three dimensions through narrative sculpture, and in the strange and compelling form of relief sculpture – which hovers between dimensions.